By Robert C. Reimer, Carol J. Reimer
ISBN-10: 1461731860
ISBN-13: 9781461731863
German movie is different and multi-faceted; its background contains 5 detailed German governments (Wilhelmine Germany, the Weimar Republic, the 3rd Reich, the Federal Republic of Germany, and the German Democratic Republic), nationwide industries (Germany and Austria), and a myriad of types and construction tools. satirically, the political disruptions that experience produced those detailed movie eras, in addition to the traditional inclination of artists to insurgent and create new kinds, enable for the development of a story of German movie. whereas the disjuncture generates specified issues of separation, it additionally highlights continuities among the ruptures.
Outlining the richness of German movie, The A to Z of German Cinema covers mainstream, substitute, and experimental movie from 1895 to the current via a chronology, introductory essay, appendix of the a hundred most vital German motion pictures, a bibliography, and 1000's of cross-referenced dictionary entries on directors,...
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Extra resources for The A to Z of German Cinema
Sample text
On top of all this, German cinema includes the cinema of Germany, and Austria, and even part of Switzerland. Certainly this is more than enough to generate an extremely varied cinema. On the whole it is rather good, sometimes even excellent, with films known and admired worldwide, but it has also produced some rather tendentious films and others that were simply kitsch. And there is no question that many of its actors, directors, and producers enjoy an international reputation. So this is certainly a cinema to contend with.
1922 31 January: Fridericus Rex (Fridericus Rex, Arzén von Cserépy) premiered. The film was the first of four to appear over the next two years, all starring Otto Gebühr, who continued playing Frederick the Great through 1942. 4 March: Nosferatu: eine Symphonie des Grauens (Nosferatu, Friedrich Wilhelm Murnau) premiered. 17 September: Physicist Jo Engl and mechanical engineers Joseph Massolle and Hans Vogt introduced their Tri-Ergon Process, which affixed sound to the film strip and thus made synchronized sound films possible.
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The A to Z of German Cinema by Robert C. Reimer, Carol J. Reimer
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