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By I.M. Ezergailis

ISBN-10: 9024717043

ISBN-13: 9789024717040

ISBN-10: 9401016518

ISBN-13: 9789401016513

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Additional resources for Male and Female: An Approach to Thomas Mann’s Dialectic

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At the initial .. " ... for I am presently on the point of stylizing the passion of Potiphar's wife in a Dionysian, Maenadic way," Mann writes in a letter. Thomas Mann-Karl Kerenyi, Gespriich in Brie/en, p. 66. 44 CLAVOlA CHAUCHAT lecture where Krokowski speaks of the connection between suppressed eroticism and disease, Hans can watch the incarnation of the statement as Clavdia sits in front of him. Her clothing again is important, since the transparent sleeves of her blouse start Hans' rumination on the way women dress.

This is one area where one can seek information about the relevance of Clavdia's characteristics to the larger problem of the female principle. We could call this the area of direct statement, either '" The Magic Mountain, p. 608. 36 CLAVDIA CHAUCHAT by narrator or characters in the work, explicit remarks about femininity and masculinity. Another source is the use of a character like Clavdia in the work, her function in displaying its themes and structure. This involves the association of Clavdia with the important device of transparency, for instance, of which we have spoken.

Not only is she wearing a white sweater and a white skirt, but even her shoes are white. Walking along the reddish path, with the sun shining on her reddish hair, she presents a striking appearance. And, as on the remembered evening in the boat, sun and moon are both in the sky at the same time, except that now the moon is on the wane. Transparent covering recurs in the painting of Clavdia. Not only does the skin seem transparent, as I pointed out earlier, but shoulders and bosom are also draped with veiling.

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Male and Female: An Approach to Thomas Mann’s Dialectic by I.M. Ezergailis


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