By P. Limbrick
ISBN-10: 0230107915
ISBN-13: 9780230107915
ISBN-10: 1349287032
ISBN-13: 9781349287031
ISBN-10: 5620107914
ISBN-13: 9785620107919
Via a sensible research of the old adventure of imperialism and settler colonialism, Limbrick attracts new conclusions approximately their impression on cinematic construction, distribution, reception and filmic discourse.
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Additional resources for Making Settler Cinemas: Film and Colonial Encounters in the United States, Australia, and New Zealand
Example text
As a result, the 1920s saw quota legislation enacted in Britain and Australia in an attempt to protect local production, and debates played out in 16 Making Settler Cinemas the public sphere and in parliaments about the supposedly detrimental role of American cinema in the nation’s culture; these debates continued within British empire territories throughout the period discussed in this study. 39 In addition to structuring the production that took place in Australia and New Zealand, imperial and colonial policy toward Hollywood affected American cinema through the period discussed here, as the case of Ford and Cooper’s Argosy films will show.
Moreover, Cooper’s extraordinary identification here with the fictional gorilla that he created yields the title of Brownlow’s later film, and the outburst seems to suggest a fantasmatic self-aggrandizement, an extreme overcompensation for whatever inadequacies he felt as a boy. Cooper himself admitted that “it is true that probably all my life I’ve been trying to compensate for [his brother and father’s] intellectual accomplishments; I . . always had more physical courage than either of them .
S. settler identities as they exist in dialogue with those of other settler societies. 38 In Britain, as in Australia and New Zealand, American films quickly overtook domestic and European cinemas in local theaters during the late silent period. As a result, the 1920s saw quota legislation enacted in Britain and Australia in an attempt to protect local production, and debates played out in 16 Making Settler Cinemas the public sphere and in parliaments about the supposedly detrimental role of American cinema in the nation’s culture; these debates continued within British empire territories throughout the period discussed in this study.
Making Settler Cinemas: Film and Colonial Encounters in the United States, Australia, and New Zealand by P. Limbrick
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