
By Michael Parenti
ISBN-10: 0312056036
ISBN-13: 9780312056032
A vintage "Parenti text," this brief quantity explains movie and tv from a political standpoint.
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Extra info for Make-Believe Media: The Politics of Entertainment
Example text
Not surprisingly, the witch-hunting, cold- war era of the 1950s provides us with some choice examples of this genre. In Invaders from Mars (1953), Martians lurk amidst us, taking control of distinguished citizens, parents, and even police by planting crystals in their brains and enslaving their wills. In Invasion of the Body Snatchers (1956, 1978), plant pods from another world take possession of our bodies and convert us into obedient automatons. When the heroes try to sound the alarm, they discover that the authorities themselves have been invaded by the pods.
This cooperation between the make-believe media and what some called "Pentagon Productions" continued through the Vietnam war. The military assisted in every conceivable way in filming The Green Berets (1968), a story of how Special Forces killer John Wayne guns down hordes of Vietnamese just as he did Indians and Japanese in earlier flicks, thereby seeming to win the Vietnam war. The military's cooperation continued throughout the 1980s with cold- war propaganda movies like Rambo III, Red Dawn, and Invasion USA, discussed in the next chapter.
It ... S. " In both cases, also provided experts to check on the accuracy Point of every- thing from proper military forma- applications for admission to the tions to Phil Silvers' [comic] refer- academies rose as a result these series. " The Defense Department even offered its academic campuses. S. Military Academy at West J Fred MacDonald, Television and the Menace (New York Standing almost alone as an antiwar film which of is Praeger, 1985), p Red 119 All Quiet on the Western uncompromising depiction of the savagery of trench warfare.
Make-Believe Media: The Politics of Entertainment by Michael Parenti
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