By A. Smith
ISBN-10: 0312230427
ISBN-13: 9780312230425
Making use of principles drawn from modern severe concept, this publication historicizes psychoanalysis via a brand new and important theorization of the Gothic. The vital premise is that the nineteenth-century Gothic produced a thorough critique of bills of sublimity and Freudian psychoanalysis. This publication makes an important contribution to an figuring out of either the 19th century and the Gothic discourse which challenged the dominant principles of that interval. Writers explored contain Mary Shelley, Edgar Allan Poe, Robert Louis Stevenson, and Bram Stoker.
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Extra info for Gothic Radicalism: Literature, Philosophy and Psychoanalysis in the Nineteenth Century
Example text
It is this moment of revelation which contrasts with Jackson’s idea that the Gothic subject encounters incoherence because of an overwhelming objectivity: ‘Other persons and objects are no longer distinctly other: the limit between subject and object is effaced, things slide into one another, in a metonymical action of replacement’ (p. 50). How incoherence can be resolved is, for Jackson, the central feature of the fantastic text. One possible resolution is associated with the status of the Other, which provides a political solution to a problem which was beginning to look like a purely psychological issue.
As I mentioned, Clerval’s task is to attempt to re-educate Victor about the pleasures to be found in the sublime. Victor says that ‘Clerval called forth the better feelings of my heart; he again taught me to love the aspect of nature and the cheerful faces of children’ (p. 117). However, the fact that this is learned means that it compromises the supposedly natural status of the sublime; although, provisionally, it enables Victor to reclaim his past, a past which is associated with the sublime: I became the same happy creature who, a few years ago, loved and beloved by all, had no sorrow or care.
Ultimately the natural sublime is exposed as a cultural fiction. Culture and experience, sublime (re)considerations Throughout Frankenstein there is a series of misrecognitions and misunderstandings. Often these are related to how the sublime supplies a false perception of the world. However, the idea of misinterpretation and misunderstanding is introduced early on in the novel in the relationship between Victor and Robert Walton. If it had been Clerval’s task to try and re-educate Victor about the sublime, it becomes Victor’s to try and disabuse Walton of his own apparent overreaching.
Gothic Radicalism: Literature, Philosophy and Psychoanalysis in the Nineteenth Century by A. Smith
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